![]() ![]() (Kelly McGillis) "Mm hm - she thinks you like policing because you think you are right about everything and you're the only one who can do anything, and when you drink a lot of beer you say things like 'none of the other police know a crook from a bag of elbows.'.(Harrison Ford) "That's interesting - anything else?".(Kelly McGillis) "Except she thinks you are afraid of the responsibility.".(Kelly McGillis) "She thinks that you ought to get married and have children of your own, instead of trying to be a father to hers.".(Kelly McGillis) "Your sister says you don't have a family.".We didn't know what we would do with you if you'd died." (Kelly McGillis) "We're all very happy that you're going to live, John Book.Witness (1985 film) Quotes Kelly McGillis as Rachel Lapp The cast includes: Jan Rubeš as Eli Lapp, Harrison Ford as John Book, Kelly McGillis as Rachel Lapp, Lukas Haas as Samuel Lapp, Alexander Godunov as Daniel Hochleitner, Patti LuPone as Elaine, and Josef Sommer as Chief Paul Schaeffer. Witness (1985 film) is distributed by Paramount Pictures. Each episode of Witness (1985 film) is 112 minutes long. Witness (1985 film) is recorded in English, and German and originally aired in United States. Feldman as producer, Maurice Jarre in charge of musical score, and John Seale as head of cinematography. It's what makes his love affair with McGillis's single mother all the more believable and genuinely involving, as the script doesn't defer to a simple "forbidden fruit" concept and instead charts their most intimate behaviors and gestures.At one point, they begin to dance, and seem to continuously be on the verge of making out, stopping and gazing at one another awkwardly more than once.Witness (1985 film) is a TV program that first aired in 1970. Harrison makes Book less a hard-nosed detective than a quietly inquisitive and brave man of purpose, a worker and a helper first and foremost. It's not so often, however, that they've proven so revealing in a such a subtle performance. This is one of Ford's most seemingly effortless and naturally charming performances, and he does a lot of the acting with his face and mumbling delivery. As Book and Rachel's romance becomes more and more obvious, the dirty cops get a tip on their whereabouts, leading to a thrilling climax that pits Book against a gaggle of gunmen on the farm. Weir is also careful to not overpraise the "simple" life of the Amish, as they don't prove particularly useful when trouble shows up. In other words, Weir refuses to portray their society as alien or cryptic, and finds a dramatic bounty of fascinating exchanges and images in showing how, underneath the belief structure, the Amish deal with the same toil and emotions that city folk do on a daily basis. Weir depicts the Amish as a group just as contentious and apprehensive of others as any other faction one might find in America, and that the simplicity of their life is derived from practicing complex, physically taxing skills that allow them to work as a unit. country mouse" design and focuses on how Book assimilates into Amish culture, working as a carpenter and laboring alongside those who believe electricity to be the route to ruin. Wallace and Kelley steer away from the "city mouse vs. Wallace and William Kelley, Weir avoids the monotonous sentimentalism and idle imagery that these films are often typified by. Now, the idea of a "mature romantic drama" might very well cause you to yawn so hard your bottom jaw locks in place, but working from a script by regular television scribes Earl W. ![]() As directed by Weir, the film becomes less about crime and punishment in the 1980s than it is about traditionalism and cultural displacement, themes that have been at the forefront of Weir's art since his debut one-two punch of The Cars That Ate Paris and Picnic at Hanging Rock.ĭespite the pulpy opening salvo, the rest of Witness comes off as a mature romantic drama centered on the growing relationship between Book and Rachel. Plans to stash the kid away in the city change when evidence comes to light that the perpetrators may actually be corrupt police officers, which causes Book to hide away with Samuel and his mother, Rachel ( Kelly McGillis), at their home on an Amish farm in Strasburg, PA. When a young Amish boy, Samuel ( Lukas Haas), witnesses a brutal murder in the men's bathroom of Philadelphia's 30th Street Station, he becomes a target for the men who carried out the murder and, subsequently, the ward of the murder's chief investigator, John Book ( Harrison Ford). This is not the case with Peter Weir's Witness, the Australian master's Oscar-winning crime drama, though the film's premise opens similar to the aforementioned breed of films. ![]()
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